Thomas Cole
1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.

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Thomas Cole A view near Tivoli oil painting


A view near Tivoli
Italiano: Resti dell'acquedotto Marcio presso Tivoli Date 1832 cyf
Painting ID::  73417
Thomas Cole
A view near Tivoli
Italiano: Resti dell'acquedotto Marcio presso Tivoli Date 1832 cyf
   
   
     

Thomas Cole Study for The Cross and the World oil painting


Study for The Cross and the World
Date between 1846(1846) and 1847(1847) Medium Oil on panel Dimensions 30.1 X 46.2 cm (11.85 X 18.19 in) cyf
Painting ID::  73791
Thomas Cole
Study for The Cross and the World
Date between 1846(1846) and 1847(1847) Medium Oil on panel Dimensions 30.1 X 46.2 cm (11.85 X 18.19 in) cyf
   
   
     

Thomas Cole II Penseroso oil painting


II Penseroso
Description Cole Thomas Il Penseroso 1845.jpg II Penseroso Date 1845 cyf
Painting ID::  74224
Thomas Cole
II Penseroso
Description Cole Thomas Il Penseroso 1845.jpg II Penseroso Date 1845 cyf
   
   
     

Thomas Cole Dimensions and material of painting oil painting


Dimensions and material of painting
Dimensions and material of painting: Oil on wood, 19.75 x 26 in Date 1828(1828) cjr
Painting ID::  76662
Thomas Cole
Dimensions and material of painting
Dimensions and material of painting: Oil on wood, 19.75 x 26 in Date 1828(1828) cjr
   
   
     

Thomas Cole WLA lacma Thomas Cole Il Penseroso oil painting


WLA lacma Thomas Cole Il Penseroso
WLA lacma Thomas Cole Il Penseroso cjr
Painting ID::  77550
Thomas Cole
WLA lacma Thomas Cole Il Penseroso
WLA lacma Thomas Cole Il Penseroso cjr
   
   
     

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     Thomas Cole
     1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.

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